Mark Boucher provides some thoughts and tips on how and when to make the move into a full-time career in filmmaking.
Sound engineer and recordist Tristan Rose discusses the importance of ADR and his experience in a range of techniques for getting the best from your actors and your equipment in audio post.
Dan Selakovich puts forward a detailed and compelling case for why directors should never edit their own films.
Shaky camera techniques were popularised in the early 2000s by the directors like Paul Greengrass. Dan Selakovich looks at why this technique fails audiences when it comes to theatrical films.
The awesome chaps over at Soundworks Collection have another great sound design interview, this time with Richard King, the Supervising Sound Editor on Christopher's Nolan's scifi epic, Interstellar.
In this short video, Tony at Every Frame A Painting looks at the ingredients of an effective scene using the classic first meeting from 'The Silence of the Lambs' to illustrate the point.
Chiller-masters John Landis, John Carpenter, and David Cronenberg chat about selling fear on film in this 1982 interview.